Category: Revisions

Creativity, New reissues, Revisions

BRAVE NEW WORLD (January 25, 2022)

The dam has burst, the block has broken, and all is sunshine and rainbows! I’m back to writing – in fact, I haven’t missed a day since the new year.(That is, not a day in my weekly five day work week. When I miss a work day I catch upon the weekend).

It Takes a Thief is finally taking shape. I’d worked last year between bouts of frustration and block and managed to squeeze out about 200 pages, most of which I despised, but i sent it to two trusted friends, Lynda Ward and Jenny Crusie, to find out whether I should toss the sucker or try to save it. Both of them said, SAVE IT, so I’ve been working on that for the last three weeks. First I had to go through it, toss it the last 14,000 words (Oh, the pain), and then go and rewrite the first 30,000 words, which I’ve had to do twice already and which will definitely need another go-round. First I changed the wishy-washy, mouse-like heroine. Then I changed the confusing villain (I’m still a bit confused about him but he’s coming together). Then I had to put my hero on the page a whole lot more. Then I had to clean up everything else.

But now I’m finally moving forward, writing more stuff and feeling normal again. For some reason I never feel quite right when I’m not writing, but nothing I could do would make it work last year. It just felt stagnant, dead in the water, utterly miserable.

I blame Covid. I was languishing, as so many people have been.

I’ve been really frustrated with Audible because there haven’t been enough new books by writers I love coming out, and then I realized they’re languishing too! (The favorite writers, not Audible. Audible is flourishing, thank God. I have something like 1,300 audio books in my library and I’m hungry for more).

But languish is no longer in my vocabulary. Not only am I moving steadily forward on this, but the follow-up, To Catch a Thief, is already fully formed in my head and I can’t wait to get to it. So as Crusie would say, nothing but good times ahead.

In the meantime, during the doldrums, I’ve been working on reprints. Coming out soon are THE FALL OF MAGGIE BROWN, which was surprisingly delightful (I’d thought of it as a sort of throwaway work since way back when it was internet only) and A DARK AND STORMY NIGHT, which is deliciously gothic and has a marvelous manga available at Amazon. https://amzn.to/3rSRl5g. I’ve also been reading and revising all my novellas, some of which are really good (some of which are meh) and now I need to figure out how to print them.

And then there’ll be the new one, sometime in March, I hope.

Ah, when I’m writing life is glorious.
Anything glorious happening for you? If you’re a writer, how’s the writing going? If you’re a reader, have you had trouble with languishing authors and finding enough of the good stuff to read?

Hiddleston and all the rest, Revisions, Writing

The Great Revision Game

So I wrote a really fabulous book. A book I adore, a book I thought my darling agent would fall on her knees in gratitude for. I pictured all sorts of glory – way up on the NYT list, a movie contract, praise and adoration all around, because I freaking loved this book.

Uh, no. My wise and supportive agent missed the glory of this masterpiece completely, so did two of her colleagues, and I slipped it back into the desktop (or into Dropbox) and, a la Scarlett, decided to “Think about that tomorrow.”

It’s tomorrow. Now some people (editors) seem to think I don’t work well with others, but they’re dead wrong. I’m always interested in thoughtful criticisms and suggestions because I have the blessed ability to choose what edit/suggestion is good for me and what doesn’t work, given the book in question. For instance, one publisher said I refused to write heroes who weren’t as dark as my usual. Not true — no one ever asked me to. What I can’t do is soften an already written character without rewriting the entire book. My heroes are strong, and people have strong reactions to them. Softening the hero would change the entire story and create a different book. It’s less trouble to start afresh, and my imagination is the gift that keeps on giving.

But I digress. It’s time to take apart 34th Street Timewarp (its terrible WIP title) and wrestle it into shape. And here’s how I plan to do it.

First, I’m going down to visit Crusie and Tom Hiddleston (Betrayal), so I figure when I’m out of the city Crusie and I will sit and talk and drink tea and coke and coffee. Crusie’s brilliant – and wonderfully analytical. She’s saved more than one of my books. and she loves the current, flawed mess that I love so much. I’ve got her, and notes from Beta Readers. That was the first step – send the mss. to beta readers to get their feedback. They found masses of flaws, most of which I agreed with, and they universally loved it.

So to get prepared, I’m going to break it down by scenes (Crusie does this all the time with flow charts and stuff, but it’s the rare book that demanded that from me). One choice is to use Scrivener – it’s got virtual index cards and I do love computer programs. The other is to take some of my stacks of color index cards, real ones, and do it by hand, which tempts me. Anything that breaks me out of usual thinking is helpful in doing revisions – otherwise I just tend to fawn over my good stuff and miss the bad. So different colors for different POV’s, I think, and then I can move things around like word blocks in an old tv game show. Make a list of darlings I won’t kill, but make sure they earn their place. Maybe print up the mss. in a different font so I have something physical to work on. Bring lots of binder clips and paper clips, lots of pencils and a pad of Clairefontaine for notes. Crusie and I will unite to do battle (and maybe do a round or two with her fabulous NITA who has not yet chosen her proper form) and we’ll cuddle the dogs and watch movies and have a glorious time. I’m so damned lucky to have her.

Gird your loins, children, I’m going in, and I will emerge victorious on the other side. We’ll see what happens with this baby, whether I submit it on my own to a few places. It’s possible that this brilliant, wonderful book doesn’t have a place in this current world. These things happen. In which case I’ll self-pub and those who want it and will love it will find it (I’ll drop some breadcrumbs in the wilderness to lead them home).

Aah, work. I’m excited. The only drawback is The Absolutely, Positively Worst Man in England wants me to continue his story too, but I gotta throw everything into 34th first. So many books to write, so many wonderful stories that I want to wrap around me like a worn flannel quilt with a rhinestone trim. That’s me in a nutshell.

Are you with me?